NorthSouth of which Border - Card

120 Essex St. between Delancey and Rivington.
(Inside the Essex St. Food Market at the South end of the building)

 

North/South of Which Border?

Latino and Latino-influenced artists working in and around New York City.

Edward Boros
Ariadna Capasso
caraballo-farman
De La Vega
Eduardo Difarnecio
Juan Carlos Pinto

Curated by Paul Clay

At CUCHIFRITOS art gallery/project space.

April 15 – May 6, 2006

Opening reception:Saturday, April 15, 4-6pm
Open daily, Monday through Saturday 12:00 noon to 5:30pm. Closed Sundays

 

Borders. The LES is said to stretch from Worth Street north to 14th street and from Broadway East to the East River on historical maps of New York. As short a time ago as the 1980s Upper East and West siders could be heard to say they never went South past Union Square.

The LES has been slated since the early 1930s to become a convenient nearby residence for the white collar workers on Wall street. With the collapse of the manufacturing base in New York City in the 60's (one of the first signs of coming Globalization), factories in SoHo became abandoned buildings, and Puerto Ricans who had actually been scouted by US corporations as new cheap labor for the manufacturing district, were left trapped in the LES, hung out to dry.

Borders. According to the 2000 Census Latinos are currently the largest and most diverse minority group in the US, reaching this status years before they had been forecast to. The latest U.S. Census Bureau figures show 38.8 million Latinos in the country with most residing in urban areas in Florida, Illinois, Texas, California, New Jersey, and New York.

In the words of The Pew Hispanic Center, a project of the Pew Research Center, supported by The Pew Charitable Trusts: "The Hispanic population defies simple characterizations; there is a diversity of groups that differ not only by country of origin but also by immigrant status and racial self-identification."

Borders. Is it even productive to try to identify what constitutes Latino art in contemporary society? Or is this simply an old fashioned way of ghettoizing certain work which is actually indistinguishable from Contemporary art made all around the world, as artists influences are global? Further complexity abounds when we consider artists of other ethnic origins having spent time in Latin America, and the influences of New York City itself. Still perhaps, as suggested by recent exhibit titles such as "L Factor" there is something legitimately to explore.

Artists are always crossing borders, blurring lines, and revealing undiscovered vistas. Each of the artists, presented here, is creating work which fails to fit within the normal boundaries of categorization. Musical instrument or visual art? Drawing or performance piece? Urban or commercial? Propaganda or reality television? Inside the contemporary art world or Outsider art? With population flux has come altered understandings regarding art, identity, and what it means to be Latino. Artists in this exhibit explore some of this new terrain.

This exhibit is sponsored, in part, by public funds from the New York City Department of Cultural Affairs and through the generous support of the following: The Andy Warhol Foundation for the Visual Arts, LMCC's Fund For Creative Communities/NYSCA, The New York City Economic Development Corporation, The Puffin Foundation, the Elizabeth Firestone Graham Foundation, The Greenwall Foundation, and the members of the Artists Alliance Incorporated.

CUCHIFRITOS is a project of Artists Alliance Inc.

 

Main View

01-Capasso 02-Difarnecio 03-Boros
01-Capasso.jpg         02-Difarnecio.jpg         03-Boros.jpg        
04-caraballo-farman-Unt 05-De_La_Vega 06-caraballo-farman-Ex
04-caraballo-farman-Unt.jpg         05-De_La_Vega.jpg         06-caraballo-farman-Ex.jpg        
07-Pinto    
07-Pinto.jpg        

 

 

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